16th Century Furniture

16th Century Antique Flemish Silk And Wool Tapestry, Country Of Origin: Belgium, Circa Date: 16th Century. Size: 10 ft 2 in x 10 ft 9 in (3.1 m x 3.28 m)

Pair of reliefs. Carved, polychrome and gilt wood. Castilian school, 16th century. Pair of carved and polychrome wooden reliefs with figurative relig...

A late 16th century Flemish mythological tapestry panel. This horizontally oriented decorative tapestry panel depicts a female figure at center, holding a cornucopia in one hand, wit...

Beautiful serving dish in blue and white with a typical ming period landscape scene. The shape of this piece is highly unusual, we found serving dishes from the same period in all ki...

An authentic, ancient and exceptional Three Jina Shrine. For it’s age the altarpiece is in a very good condition and rather large. The image of three standing, nude Jinas flanked by the other 21 seated Jinas is rare. The lintel of the shrine is showing the nine comets and three seated figures...

Florence, late 16th century Restored New padding Typical Renaissance Florentine "Seggiolone" Dimensions: cm W66 x D63 x H140.

This outstanding Tonnerre stone fireplace is a masterpiece of the first French Renaissance. It was sculpted in 1534, under the reign of King François the 1st for Philippe Merlan (1503-1546), Baron of Montpont, Lord of Jully-lez-Arnay-le-Duc. This monumental fireplace...

SMALL RENAISSANCE CABINET ORIGIN: PROVENCE PERIOD: END OF THE 16th CENTURY Height: 175cm Length: 102cm Depth: 50cm Blond walnut This small cabin...

Majestic Italian oil on panel, a unique and original work dating back to the late 1500s, representing the Sacrifice of Isaac. A highly impactful work, surrounded by an antique frame ...

Rare double Cathedra made from walnut wood, sculpted, and inlaid, around 1500 Origin: Southern Germany Period: Late 15th Century - Early 16th Century Height: 221cm Width: 146,5cm Depth: 60,4cm Walnut wood and inlaid Good state of conservation Description: This double cathedra in walnut wood was probably intended for an abbey, according to the sculpted decor. This cathedra is made from a symmetrical aspect and is divided into three levels. The bottom level has a base sustained by six feet. In the front, the base is decorated by four sculpted elements flattened with a “napkin fold decoration”. Each of the seat rises, revealing a trunk. The intermediate level in divided by three straight and solid armrests. The lower part of the backrest has two inlaid panels with “tarsia certosina” for geometric patterns. This technique also called “inlay in the mass” consists in digging a cavity in the wood to inlay decorative elements. Those panels are framed with the “tarsia a toppo” technique. The top level is divided in two elements. The top part of the backrest has two panels, where parchment patterns frame two badges. Three pinnacles dominate the summit of the backrest. The center of the backrest is sculpted in a rectangular shape. Inside, there are two niches with biblical characters: Saint Anthony the Great and the Virgin Mary. Saint Anthony the Great: Or Antony the Ermit is a monk considered as the father of the Christian monasticism. Born around 251 in Egypt, he withdraws very early into a spirituel solitude. Divine powers are conferred to Saint Antony thanks to the exorcism of the king of Catalonia’s family. But also, the piglet’s episode, born blind. During the XI century, a hospital Order is founded under the invocation of the saint which makes him a holy thaumaturgist. His iconography appears during this period, often represented as an old man with a bear wearing a hooded bute dress, characteristic of the monks of his order, sign of poverty. Also, wearing a long coat. This bas-relief takes back all its usual attributes. - The tau: holding in his left hand, which serves as an abbot’s crook. Also embroidered on his coat. - The bell: hanging from his right hand, also known as hermits’ attribute, used to repel demons. - The book of “la règle des Antonins”: sign of the diffusion of the Faith and the precepts of the Order. - The pig: first, from the piglet’s episode. Then he often is linked to demons, and has another function here: he represents firefighting, coming from the fact that his meat could cure ill people from ergot poisoning. In Italie, he’s known as “Antonio del porco”. - Flames: are associated to the French name of the ergot poisoning (“le feu saint Antoine”: Saint Anthony fire). This attribute is emerging during the XVI century. Furthermore, a nimbus crowns the hermit. The two olive branches symbolize peace. We can see resilience and the pain of the saint who bares the disease of humanity. The Virgin of the Apocalypse: Saint Antony is looking at the Woman of the Apocalypse. This biblical character appears in the twelfth chapter, described by Saint John. Theologians have recognized the appearance of the Virgin even though there are differences for this identification. As a matter of facts, to some, this figure could be the New Eve holding the New Adam in her arms. Other iconographic representations, such as the Immaculate Conception or the Assumption, use the Woman of the Apocalypse attributes. In fact, the Virgin is crowned by angels, holding the Christ. This representation of the Virgin of the Apocalypse is being formed during the Middle Ages and the Renaissance. This iconography takes it rises during the XVI century. In our cathedra, the Virgin is standing up, wrapped in a long flowing drape falling down her feet. The collar of her tunic is decorated with embroidery and brocades. Mary is wearing her hair down, framing a calm and benevolent face, looking down. Two angels are crowning her, with gemstones. She seems to be holding a Christ gesticulating. The baby Jesus hangs on Mary’s neck. Finally, the Virgin is resting on a moon cross. The moon symbolizes the frontier between the incorruptible world and the corruptible one, which in the ancient tradition, used to be under the moon. And so, the Virgin seems incorruptible. Literature • RÉAU, Louis, Iconographie de l’Art Chrétien...

A late 16th century Flemish historical tapestry panel. This horizontally oriented decorative tapestry panel depicts a stylized staircase at center, with flowers and leaves throughout...

A very nicely decorated plate with a beautiful scene of a flying Horse With a nice empty rim. Wanli, Tianqi or Chongzhen Period 1590 – 1640 These kind of dishes are will described...

Small two-body buffet decorated with bird feathers ORIGIN : FRANCE PERIOD : 16th CENTURY Measures: height: 170 cm length: 106 cm depth: 51 cm Walnut wood This cha...

A 16th century Brussels Historical Tapestry panel. This vertically oriented decorative tapestry panel depicts a scrolling foliate design, with a grotesque and a coat of arms at top, ...

Sensational French antique fireplace surround for the connoisseur. Late 16th - early 17th century period chateau fireplace surround in great authent...

A stunning 16th century Venetian Column - Pedestal. Beautifully crafted from gilt and polychromed wood. Wonderful cavings of putti heads, urns and pome...

Ming, JiaJing period blue and white four gentlemen among flower painting porcelain square vase / ?,??????????(??,???) Item measurement:Approximate H:10inch, W:3.75 inch Material: B...

The bronze statue depicts a Turkish warrior with shield and sword. the warrior is shown bare without veils, with a base also made of oval-shaped bronze, acting in a war scene. Detai...

Material: bronze Measures: 45,4 cm high 27,3 cm wide and 16,8 cm deep Weight: 8.320 kgs With traces of 24 krt. gilding Bhumisparsha mudra Originating from Thailand 15-16th century Inscriptions translated by the 'Lanna Folk life Museum, Chiang Mai' : Dated 400-500 years old, ""Late Mang-Rayi Third Period"" Inscriptions translated : Maha Ubataeka Tura Sattha - had this Buddha image...

A 16th Century Brussels Historical Tapestry panel. This horizontally oriented decorative tapestry panel depicts a scrolling foliate design, with a variety of fruiting and flowering elements being envisioned. The central area is enclosed within a narrow monochrome border. Wool with silk inlay. In very good condition for its age and weaving style, with minor wear, fading and losses, all typical for items of this age, composition, and weaving style. Hanging: The tapestry comes ready for hanging, with linen backing and a strip of hook and loop tape at the top end, which can be connected to the opposite side of the supplied hook and loop tape, which could be tacked to your wall. For those who prefer the use of a tapestry rod, we can add the appropriate size loops to accommodate your needs. We now have a large selection of antique tapestry rods...

XVI Century, Italian Renaissance wood chest. This important noble chest of the Tuscan Renaissance was built towards the end of the sixteenth centur...

Large late Ming dynasty Wanli period blue and white kraak ware export porcelain deep charger. Decorated in the centre within an eight-pointed medallion wi...

A 16th Century Brussels Historical Tapestry panel. This vertically oriented decorative tapestry panel depicts a scrolling foliate design, with a grotesque and a coat of arms at bottom, and with flowers and a vase above. The central area is enclosed within a narrow monochrome border. Wool with silk inlay. In very good condition for its age and weaving style, with minor wear, fading and losses, all typical for items of this age, composition, and weaving style. Hanging: The tapestry comes ready for hanging, with linen backing and a strip of hook and loop tape at the top end, which can be connected to the opposite side of the supplied hook and loop tape, which could be tacked to your wall. For those who prefer the use of a tapestry rod, we can add the appropriate size loops to accommodate your needs. We now have a large selection of antique tapestry rods...

A late 16th century Flemish Historical Tapestry panel. This vertically oriented decorative tapestry panel depicts a female figure at bottom, sitting within an elaborate floral reserv...

A 16th century Brussels Historical Tapestry panel. This horizontally oriented decorative tapestry panel depicts a scrolling foliate design, with a grotesque on the left side, and with variety of fruiting and flowering elements being envisioned. The central area is enclosed within a narrow monochrome border. Wool with silk inlay. In very good condition for its age and weaving style, with minor wear, fading and losses, all typical for items of this age, composition, and weaving style. Hanging: The tapestry comes ready for hanging, with linen backing and a strip of hook and loop tape at the top end, which can be connected to the opposite side of the supplied hook and loop tape, which could be tacked to your wall. For those who prefer the use of a tapestry rod...

A late 16th Century Flemish Historical Tapestry panel. This vertically oriented decorative tapestry panel depicts a female figure at bottom, sitting within an elaborate floral reserv...

400 - 600 Year old charming and artistic sandstone relief. Dragon "mythical beast" which is a symbol of wisdom. From Buddha temple in Arakan, Burma....

Bargueño writing desk, cabinet in walnut tipical from Portugal. This sort of early chest of drawers were use for papers and documents, it was used as a transportable writing desk. ...

Extremely fine and detail woodcuts executed by Hans Weiditz and issued on the recto and verso of one folio. Two of the most striking and original woodcuts from Weidlitz's series p...

Beautiful pair of bases for church candlesticks in burnished bronze, baluster-shaped with pods, triangular base with Cherub head details. Bases weighted ...

A Late 16th Century Flemish Mythological Tapestry Panel. This vertically oriented decorative tapestry panel depicts a mythological female figure at top, standing within an elaborate ...

Material: bronze 48,5 cm high 22 cm wide and 15,5 cm deep Weight: 5.632 kgs With light traces of 24 krt. gilding Ava style Varada mudra Originating from Burma 16th Century ...

Small jar with lid made in the five-color hand painting commonly used in Ming Dynasty Wanli Period. Presumed to have been used for storing tea leaves. ...

This antique bronze Buddha statue is a truly unique and special collectible piece. Standing at 51 cm high, 34 cm wide, and 21 cm deep, it is made of bronze and it weighs 11.18 kgs. T...

A Late 16th Century Flemish Mythological Tapestry Panel. This vertically oriented decorative tapestry panel depicts a mythological female figure at top, standing within an elaborate ...

Fine Chinese pottery with decorations, 15 / 16th century.

This sculpture has taken on a different character over time as it has weathered and the detailing has softened. Time has given it a pared down, minimalist quality juxtaposing the R...

16th century Spanish Bronze Mortar with Letters M on the Sides

First State of the rare woodcut. Unidentified woodcut artist for Konrad Gesner (aka Conrad Gesner; Philiatrus Euonymus) (1516–1565) Fine folio woodcut leaf. Measures: 38 x 2...

I really found something intriguing. This plate decorated with what are often seen as European houses. Something seen on Transitional Kraak plates and bowls. I borrowed a few picture...

This is a nice size capital from Italy. Normally these were top a column inside cathedrals throughout the world. It’s beautifully hand carved by an artesian out of wood. The gold gil...

This massive 18-seat table has many features which are typical of drawleaf tables that were made in the last quarter of the 16th century. Early continental drawleaf tables rarely com...

Beautiful Renaissance walnut armchair. Origin: Italy. Period: 16th Century. Dimensions: height: 110 cm. length: 66 cm. depth: 50 cm. Material: walnut wood. leather t...

RARE PAIR OF FIREDOGS ORIGIN : FRANCE PERIOD : 16th CENTURY, HENRI II Measures: height: 78 cm 30 ¾ in width : 24 cm depth : 61 cm Origina...

Bronze mortar with garlands, flowers and putti - Tuscany , second half of 17th century. Measures: height 10 diameter : 13 cm Artisans and healers used mortars for grinding food...

500-600 year old sandstone carving. The sculpture is depicting 'Two demons riding on elephants'. From Buddha pagoda / temple in Arakan, Burma, 1400-1500. Untouched and in origin...

Important large mantle fireplace, original in hand-carved Burgundy stone, built in the middle of the 16th century and of French origin, it comes from a ru...

Large Oil On Canvas, Flemish School, XVIIth Century LARGE OIL ON CANVAS, FLEMISH SCHOOL, 17TH CENTURY LARGE FORMAT, OIL ON CANVAS FROM THE 17TH CENTURY APPARENTLY UNSIGNED. A FOLLOWE...

Mechelen dolls are rare wooden devotional figurines (mainly walnut was used), which were made by some members of the Guild of Saint Luke. The figures, all individual saints, were made from reference models using highly regulated carving and polychrome techniques. They had to meet several requirements. The shape of the rug had to meet certain criteria and the letter M (from Mechelen) had to be visible in the shape. These devotional or saint figurines...

The socarrat is a slab of fired clay or thick tile, glazed in white and generally decorated in reddish or brownish and blackish tones, intended to be placed between beams, on roofs a...

400 - 600 year old Burmese carved sandstone sculpture. Calf standing under the mother. From Buddha temple or Hindu temple in Burma. Untouche...

Material: wood 46 cm high 28,5 cm wide and 20,5 cm deep Weight: 4.260 kgs With traces of the original 24 krt. gold Ava style Bhumisparsha mudra Originating from Burma 16th c...

Garden window archway made of Limestone. Originates from France. Circa, 16th century.

The socarrat is a slab of fired clay or thick tile, glazed in white and generally decorated in reddish or brownish and blackish tones, intended to be placed between beams, on roofs a...

Rare basin (We think it was the basin to wash the feet on hollyThursday) in brass Rare plat of the german renaissance since it is rather a basin which is much rarer than a offering basket...

Material: bronze 32,3 cm high 18,5 cm wide and 10,5 cm deep Weight: 2.833 kgs Bhumisparsha mudra Originating from Thailand 16th century With confirmed TL-test, see pictures A special Buddha...

The socarrat is a slab of fired clay or thick tile, glazed in white and generally decorated in reddish or brownish and blackish tones, intended to be placed between beams, on roofs a...

Ming Dynasty (16th century) pottery vase with vivid turquoise glaze, decorated with dragons. The vase is partially moulded, with circular bosses around the mouth rim and a hexagonal ...